Of particular praise is Manna Wei as Yaya, who is forced to see the harsh realities of the world through the prism of her ...

The Israeli director won the top prize at Berlin in 2019 for “Synonyms” and made his Cannes competition debut with “Ahed’s ...

Publisher and Editor Chaz Ebert and a team including Managing Editor Brian Tallerico, Scott Dummler, Robert Daniels, Isaac ...

Watching Wolf and Reubens push and pull their way through the impact of this wildly talented and complicated man makes for ...

The ambiguous note she concludes on is a doozy since it drops us in a space where we, like Megan, have to let go of a ...

"Fear Street" started as a series that tried to reinvent the wheel; this is empty-headed, straightforward slasher schlock on ...

Director Dean Fleischer Camp brings a light touch of the tender-hearted sensibility of his “Marcel the Shell with Shoes On.” ...

Today's dispatch include Jodie Foster's first French-language film and a sprawling Russian epic about a Nazi monster.

For me, a critic who had to part ways with Cannes too early to see acclaimed new films by Bi Gan, The Dardennes, and Joachim Trier, but still managed to see over 30, including over half the ...

The Last Rodeo” is the latest film to come out of Angel Studios, the Christian media company with a complicated backstory and an unambiguous mission to bring stories of moral uplift into the ...

Now, I’m not going to beat around the bush: the modest midnight section at Cannes has been disappointing: “Dalloway” was a ...

The relationship between art and power—and, more specifically, cinema and power—is the subject of “Eagles of the Republic,” ...